Moerenuma Park – Natural Art & Artistic Nature

Tetra Mound
Tetra Mound

Not really seeing where the bus was going, and then awkwardly wandering into a parking space, trying to find Moerenuma park, I ended up crossing a bridge and the first landmark greeting me was an impressive glass pyramid. That is when I knew for sure I was at the right place.

Moerenuma-Park

Let me take you a bit back. Moerenuma park in Sapporo might be a misleading name and the green spot on the map doesn’t really help. If you think it’s just another park and opt to skip it, I’d say you’re missing out. It’s a landscape art paradise, the dream project of Japanese-American artist and architect Isamu Noguchi, who sadly did not live to see the opening of the park. Built on top of a former landfill site and surrounded by a marsh (hence the name, ‘numa’) it is a success story going on to win many awards. The park’s construction began in 1982 and it was completed in 2005. It is completely free of charge and open to the public year round.

Inside the pyramid
Inside the pyramid
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zoria-inside-the-pyramid-at-moerenuma-park

The glass pyramid is a homage to Noguchi’s friend I.M. Pei, who designed the glass pyramid at Paris’ Louvre Museum. It’s nicknamed “Hidamari”, which means “sunny spot” in Japanese. We had a great time taking photos inside, capturing the sunlight and playing with the shadows. There, you can visit the gallery dedicated to Noguchi, where you can also have a drink or a snack and head to the top of the pyramid for great views of both Sapporo and Moerenuma park. And we realized we were in for a treat. From the Tetra-Mound to the little pond and perfectly planted tree groves, we couldn’t wait to get down and explore it.

view from the top of the pyramid
View from the top of the pyramid

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The vast park features nature and art in perfect harmony,with the landscaped Mount Moere, the Tetra Mound, The Sea Fountain and the art sculptures that are actually playgrounds nestled secretly between the greenery until you discover them. Although you see the outline of the park from the top of Hidamari, there’s still a lot of surprise and discovery, that’s why you need a map to walk around, mouth gaping open and losing track of time while taking hundreds of photos, all of them perfect. According to the official website this park changes in synch with the seasons, so in spring the cherry blossoms are in bloom and in winter you can ski on Mount Moere. Visiting in summer, we were welcomed by a the green Eden, lush nature and a cool breeze.

 Mount Moere
Mount Moere
Mount Moere
Mount Moere

There was something serene and laid back in the way everyone relaxes in this park. First of all, it’s so spacious, crowds are never a problem. Secondly, you’re free to do anything you like. People were cycling, running, walking their dogs, parents playing with their children, couples taking photos, guys skateboarding under the Tetra Mound… You can dip your feet in the shallow pond called Moere Beach, have a picnic, play music and just truly enjoy the shared public space. You can rent a bicycle and use it in the park, but be careful, it’s only until 5 PM despite the park being open until 9 PM. Moreover different activities in the park have different working hours, so make sure to check the Sea Fountain show times, the pond etc.

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As the day was ending and families were leaving the park before sunset, we got to see another face of Moerenuma – quiet, empty, almost eerie, beautiful. If you are a photo enthusiast, I recommend staying until the end, getting some nice clean shots and having the whole park to yourself as the gold of the sun dissipates across it and melts away. The best treat are the playthings, which are such beautiful sculptures that you cannot believe children were playing with them just moments before. But in the late hours before closing they can be all yours. You can forget your own age and get lost in the colourful labyrinth of fun, with new sculptures peeking around the corner.

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playthings-sunset

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As darkness fell upon the park we knew it was time to leave. The five hours we spent there flew by as if it had been merely an hour. If you are on your first visit to Moerenuma park you might be torn between exploring all of it or just lying down, relaxing, taking it all in. I wish I could go there all the time, do all my work there, but for now I’ll just have to hope to visit it again some time. But you, don’t skip this park if you are in Sapporo!

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Moerenuma Park

Admission: free
Hours:
Apr.29 – May 9:00-19:00
June – Aug. 9:00-20:00
Sep. – Nov.3 9:00-19:00
Nov.4 – Apr.28 9:00-17:00
Closed first Monday of each month and every Monday from Nov.4 to Apr.28
The Sea Fountain Operates from Apr.29 to Oct.20
Access: From JR Sapporo Station, take the Sapporo Municipal Railway (Toho Line) to Kanjo-Dori-Higashi Station (approx. 25 minutes). Get off and take the Higashi 69 or 79 Chuo Bus to “Moerenuma Koen Higashiguchi” bus stop (east entrance). It’s roughly a 10-minute walk to the park’s Glass Pyramid from there.
URL: http://moerenumapark.jp/english/

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Zoria is a writer, of the rare poet variety and a passionate photographer. If you see somebody around Tokyo taking photos of concrete walls, it must be her. She loves to dress fashionably and go drink as many cups of coffee as humanly possible, preferably in cafes with a view.

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Yukata, timeless elegance for the summer

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Summer time means matsuri (festival) time in Japan! And there is simply nothing more fashionable to wear to a traditional Japanese festival than a yukata! This casual version of a kimono is lighter in fabric (cotton or synthetic), and is the perfect practical garb for Japan’s hot and humid summers!

The History of Yukata

The first example of a yukata appeared around 1200 years ago and was called yukatabira. People started to wear them as bathrobes to soak up sweat and protect their skin from burns during steam baths. At the end of the Edo period (1603 – 1867), the number of public bath houses increased significantly, and the common population spread yukata culture as both an after-bath gown and as casual streetwear.
After World War II, the Japanese lifestyle became even more westernized, making the yukata attire less common. Beside during summer festivals and firework displays, they are most commonly worn in onsen (hot spring) towns. Ryokan, traditional Japanese hotels, provide these garments as standard robes for their guests, and many even wear them as they stroll through the streets.

CHIKUSEN, art shaped by tradition

If you are looking for a yukata that doubles as a piece of traditional art, Chikusen is the place to go. Dating
back to 1842, the closing years of the Edo period, Chikusen took its first steps in the Asakusa district of Tokyo.

chikusen yukata store

Kabuki: The Stepping Stone for Traditional Craftsmanship

Sen’nosuke (仙之助), Chikusen’s founder,ran a yukata shop specialized in dyeing filigree patterns. With his deep interest in theatre and haiku (traditional Japanese poetry), many in his circle of friends were kabuki (Japanese classical theatre) actors, novelists and other types of artists.
Since plain yukata were the norm, Sen’nosuke’s elaborate designs captured the attention of kabuki actors, who started asking him to design their stage costumes. The audience were impressed and the name Chikusen spread among the general public in no time. According to a book telling Tokyo’s historical anecdotes, “Chikusen” is a combination of the owner’s name, and chinchikurin, the Japanese word for “short person.” He took “chiku” from chinchikurin and added “sen” from his name – giving birth to the name Chikusen.
japanese design fabric boxes

Asakusa: New Cultural Mecca

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In Edo (present day Tokyo), people tended to spend a lot of money at markets and theaters. To control and improve the entertainment business, the Tokugawa shogunate decided to move the three biggest kabuki theaters of Edo to Asakusa. Edo culture was characterized by kabuki, which was at that time considered to be a casual sort of entertainment, and whose actors were considered to be trendsetters. The audience was impressed by the outfits and wanted to adapt to the new fashion, therefore Chikusen’s yukata became popular among the general population.

Relation with Nihombashi Mitsukoshi Main Store

Asakusa turned from a business to an entertainment district. Meanwhile, department stores opened in Nihombashi and this area developed into a business district. Due to Chikusen’s strong relationship with this department store, the then-president suggested moving to Nihombashi. With yukata’s popularity at its peak, Chikusen had to deliver its products to Mitsukoshi three times a day. As it was only deliverable by hand carts, the new location could save a lot of time. Therefore, Chikusen relocated to Nihombashi shortly after World War II, and its headquarters have remained there.
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Key Dyeing Methods

Japanese dyeing methods yukata

Nagaita Chugata 長板中型
During the Edo period, a special dyeing technique for yukata was invented called nagaita chugata. First, a 12-meter long piece of fabric is tightened on a 6.5-meter long fir tree plank. Next, a stencil of about 40 centimeters is placed over the fabric and a special glue for resist printing (bosen nori in Japanese 防染糊) is added to the parts which are not supposed to be dyed. To obtain an even result, the glue is separately applied the same way to both the front and back. The most difficult part is adjusting the stencil on the back toth e print on the front evenly, in order to achieve a flawless pattern without fading the colors.
Nagaita Chugata 小紋中型
Another dyeing method is komon chugata, also called Edo komon, which is an original dyeing technique developed by Chikusen. The pattern is engraved on the stencil with a small, semicircle blade, which produces an intricate pattern of small dots or other detailed designs. This technique is especially challenging, since adjusting the delicate pattern on both sides is very complicated. Looking at the fabric from afar, it seems that there is no pattern at all, but as you take a closer look at the simple yet detailed design, it reveals its pure elegance. Since it was only possible to dye two rolls of fabric per day, many of Edo’s craftsmen were not able to produce nearly enough yukata for the whole population of Tokyo.
Chusen 注染
With the beginning of the Meiji period (1868 – 1912), a new dyeing method called chusen was introduced, which enabled the production of fabric in larger quantities. The patterns itself and the procedure of applying them stayed the same, but the stencil length changed from 40 centimeters to 90 centimeters. The glue is applied on a 12-meter long fabric, folded like a folding screen, and when this process is finished, it will be placed on the dyeing table. Afterwards the dye is applied with watering cans. With this new process, a craftsman was able to produce more than 100 rolls of fabric per day and the production increased dramatically.
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Traditional Designs with a Modern Twist
Chikusen’s trademark can be found in its historical patterns. Designers use stencils remaining from the Edo period and adapt and reform them to the current fashion trends. Compared to Japan’s western regions, the patterns of historic Edo are very simple and understandable for everyone. Simple designs such as dianthus, bamboo, sakura (cherry blossoms), hydrangea, waves and lilies are very common. Today, Chikusen is the only place that uses dyeing techniques from the Edo period.
Edo: Japan’s Trendsetter
Things which were popular in Edo spread throughout the rest of Japan, making the city the nation’s trendsetter in terms of all things cultural, including fashion. The “Edo-style” yukata with its dark indigo and bright white color combination were in high demand. According to a book written in late 19th century introducing Edo’s famous products, yukata was one of the popular souvenir item and had significant value.
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chikusen entrance exterior

CHIKUSEN

Hours: 9am – 5pm
Closed: Sat, Sun & national holidays (open Sat from Apr – Jul)
Address: 2-3 Kofuna-cho, Nihombashi, Chuo-ku, Tokyo

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Tabea Greuner
Living and working in Japan since 2015. Always excited about discovering new places. Passion for photography, nature-lover & Japanese fashion expert. MORE ARTICLES BY THIS WRITERABOUT WATTENTION NINJA

Japanese Gardens in Changing Times

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In the past, gardens were created by the upper-class of society and can be classified into three main groups:
1. Gardens representing a naturally scenery for aesthetic pleasure and later for strolling through
2. Dry landscape gardens
3. Tea ceremony gardens
Japanese gardens are meant to mimic natural landscape in a miniaturized form.

The history of garden design goes back about 1,000 years ago. The first form of gardening was seen in sacred places, deep in the forest containing natural objects like trees, mountains or rocks with extraordinary and rare shapes. These places marked with pebbles, white sand or rope ties were used for ceremonies to honor gods or sacred spirits which are believed to live in or come to these areas.

Saishou Tea Garden inside Tokorozawa’s Aviation Memorial Park (Saitama)
Saishou Tea Garden inside Tokorozawa’s Aviation Memorial Park (Saitama)

Chinese culture, especially Buddhism started influencing Japanese garden design in the 6th century. Since then, the style of this practice changed throughout the centuries and Japan developed its own special form of gardening. The ancient capital of Kyoto contains more than half of Japan´s historical gardens.

Different garden architecture throughout the centuries

Nara Period (710 – 794) 
Nara used to be the capital of Japan and during the end of the 8th century, Japanese garden culture sprouted and gardens for the higher society were built. These early gardens featured a pond with an island in the middle surrounded by shorelines and stone settings.

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Heijo Palace Site (Nara)

Heian Period (794-1192)
With the dawn of the new era, the capital moved to Kyoto. The upper class started building large gardens at their palaces and villas using a layout inspired by the Chinese concept of feng shui. The gardens located on the south side of the villa focused on large ponds and winding streams connected by bridges, which were passable by boats; as well as islands and pavilions which reached over the water. These royal gardens were first and foremost mostly places for amusement and ritual worship.
One specific feature in these gardens was an empty place covered in gravel. Since the emperor at that time was the chief priest of Japan, white gravel or sand was an element for purity. In this certain area gods were invited to visit and religious ceremonies, as well as welcome dances for the gods were performed.

The late Heian Period was determined by a new style of garden architecture which made its way to Japan, called Pure Land Buddhism or Amidism. This architecture represented the Buddhist paradise. These Paradise-Gardens were equipped similar to their predecessor, but much bigger and more colorful. The stream which flows through these gardens separates the earth and the afterlife in a symbolic way and the bridge symbolize exactly this chapter in life. The ponds instead were usually designed in the character for heart ‐心.The gardens were mainly used for meditative strolling, chanting sutras, and to receive guidance into spiritual life. These Paradise Gardens are the forerunners of the stroll gardens.

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Motsu-ji Temple (Iwate)

Kamakura (1185–1333) & Muromachi Period (1336–1573)

With the beginning of the Kamakura Period the power possessed by the aristocratic court was taken over by the military regime (将軍 shogun), which supported a new form of Buddhism called Zen. Due to this new movement, garden architecture changed and became more simple and compact.

The biggest change in gardening and towards minimalism were new designed dry landscape gardens (枯山水 karesansui), connected to temple buildings with the main purpose to support monks during their meditation exercises and for spiritual improvement. The accurate raked white sand represents water and precise arranged rocks are a symbol for islands. These gardens only consisted of elements like rocks, gravel and white sand. The garden is not accessible and mostly viewed just out of one angle representing an ideal landscape or a philosophical concept.

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Erin-ji Temple (Yamanashi)

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Tenryu-ji Temple (Kyoto)

Azuchi – Momoyama Period (1573 – 1603)

New gardens and cities were created when the Japanese feudal lords (大名 daimyo) and their robust castles were the center of power and culture. The gardens during this era had one or more ponds surrounded by a riverside out of small stones. Natural stone bridges and stepping stones, artificial mountains and more combined the design of a promenade garden with typical elements of Zen. They were located right next to the castle, where they were meant to be seen from above and combined the design of a promenade garden with typical elements of Zen.

A new concept of garden architecture was introduced, the tea garden (路地 roji). These gardens were meant to resemble the spirit of wabi (侘び), rustic simplicity, utility and calmness. The tea house is small and made out of wood with a thatched roof. A paper roll with an inscription and a branch was the only decoration allowed. The narrow garden itself was regularly watered to stay humid and green. Except a cherry tree bringing color during spring, other flowers in bright color were not allowed. The visitor was supposed to meditate before the tea ceremony starts, and bright and flashy colors would have distract the visitors’ attention. The entrance and the tea house were connected by a small path made of stepping stones, with benches to wait for the ceremony, while stone lanterns light the way and a wash basin out of stone was used for the ritual cleansing of hands and mouth.

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Daigo-ji Temple (Kyoto)

 

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Saishou Tea Garden inside Tokorozawa’s Aviation Memorial Park (Saitama)

Edo Period (1603-1867)

During the Edo Period, the Tokugawa clan, who became the Shogun, took over the power and moved Japan´s capital to Edo (today’s Tokyo). The minimalistic garden design from the Muromachi Period changed back into the landscape architecture of recreation and extravagance. Large strolling gardens (回遊式庭園 kaiyu-shiki teien) were designed featuring ponds, islands and artificial hills as well as elements of tea gardens.

Another new form of garden design was the tsuboniwa (坪庭 / tsubo is the size of 3,3m²), an inner garden or small courtyard garden created by the urban population. These could not be entered and provided a piece of nature and fresh air featuring decorative elements like stone lanterns, water basins out of stone, stepping stones and some plants meant to be viewed from a porch or from inside the house.

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Meiji Period (1868-1912)
With the Meiji Period came the age of modernization and the re-opening of Japan to the western world. A new law of the year 1871 opened old private strolling gardens and abandoned gardens from the Momoyama and Edo period to the public.

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Shinjuku Gyoen National Garden (Tokyo)

Modern Japanese gardens (1912~)
Due to westernization western style city parks were designed featuring new elements like flowerbeds and open lawns. After World War II government agencies took over the task of building gardens instead of the private people. These new gardens are meant to be consistent with the architecture bringing landscape design to a different level.

“The White Gravel and Pine Garden “ Adachi Museum of Art (Shimane)
“The White Gravel and Pine Garden “ Adachi Museum of Art (Shimane)


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Tabea Greuner
Living and working in Japan since 2015. Always excited about discovering new places. Passion for photography, nature-lover & Japanese fashion expert. MORE ARTICLES BY THIS WRITERABOUT WATTENTION NINJA

Pilgrimage to the 33 Kannon Buddha Temples


Aizu Culture through the eyes of a pilgrim


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Aizuwakamatsu, or Aizu for short, is a historic castle town known as the “land of the last samurai” in the Aizu district of Fukushima Prefecture in Tohoku. The people of Aizu were people of good faith and had a custom of paying respect to all 33 Kannon Buddha temples in the form of a pilgrimage. More than a tough, ascetic ritual, though, this pilgrimage was for entertainment.
In the Edo period, people would journey to the temples for sightseeing; even now, many people make the pilgrimage with friends. The image of Kannon makes its appearance everywhere, from wonderful temples in the city to the stone Buddhas in the mountains. Follow us on our journey as we visit some of them.

Visit the 33 Kannon Buddha Temples around Aizuwakamatu

Kannon, known as Kuan Yin or Goddess of Mercy to the Chinese, was known to have 33 manifestations. Most of the temples are modest, wooden structures, each dedicated to the various manifestation of Kannon. For example the Eryu-ji temple is dedicated to Juichimen Senju Kannon, the eleven-faced, one-thousand armed Kannon. The massive statue, standing at 8.5 meters high, was carved out of one single tree by Kobo Daishi (Kukai), the founder of Shingon Buddhism, in 808. It is designated as a National Treasure of Japan.

The temple itself was built in 1190. The statue is guarded by 28 Busyu divine generals and the gods of Wind and Thunder. The temple is believed to help visitors to overcome their negative attitude in life.
Another unique temple on the trail is Sazaedo Temple on Iimoriyama Hill, built in 1796 with an extraordinary, 16.5 meters high, three-storey hexagonal structure with a sloping double-helix ramp. Visitors ascend the ramp in a clockwise direction and descend anti-clockwise, thus not retracing any steps in their spiral track. It is an ingenious design.
Sazaedo
Sazaedo

In a forest on a remote mountain in Aizumisato, built in 830 at an altitude of 380 meters high, stands a simple but important rustic wooden temple called Sakudari Kannon Temple that is wedged against a rock face. It is said that Kukai founded this temple and carved its 80 centimeters high principle image, Kubinashi Kannon, which is placed upon an altar in a grotto concealed from public view. Not only is the structure of the temple truly amazing, the view is simply breathtaking.

Sakudari Kannon Temple
Sakudari Kannon Temple
Aizumisato
Aizumisato
Sakudari Kannon Temple
Sakudari Kannon Temple

Road to the Edo Period

The main street of Ouchi-Juku
The main street of Ouchi-Juku
There is a place where you can still enjoy the same experiences as a traveler from long ago: Ouchi-Juku, which lies south of Aizuwakamatsu on an old road called “Aizu Nishikaido.” The village is reminiscent of the old post towns on the ancient trade route in the Edo period; merchants and feudal lords would pass this way to rest and refresh. It is a living museum of old traditional houses with thatched roofs and bustling shops selling food, drinks and souvenirs. Here, you can experience and enjoy how the people of Aizu spent their everyday lives and lived their faith.

Another Japan Heritage

Aizu is a region steeped in samurai culture and natural beauty. One of the many scenic spots here is Lake Inawashiro, a beautiful lake surrounded by mountain ranges. It is a popular place for recreation for the local people, and also serves as the lifeline of the area by providing water for agriculture and hydro-electricity. The building of the canal during the Meiji era lead to the agricultural development of a previously barren land, and is considered a Japanese heritage site.
Lake Inawashiro
Lake Inawashiro
Tsuruga Castle
Tsuruga Castle
Eryuji Temple
Eryuji Temple
Sazaedo
Hours: 8:15am – sundown (April through December), 9am – 4pm (January
through March) Admission: 200 yen (middle and primary school students), 300
yen (university and high school students), 400 yen (adults)
Access: 4-min by
Akabe bus from Aizu-Wakamatsu Station, get off at Imoriyama shita.
Sakudari Kannon Temple
Access: 12-min by car from Amaya Station (Aizu Railway Line)
Ouchi-Juku
Access: 15-min by car from Yunokami Onsen Station (Aizu Railway Line)
Lake Inawashiro
Access: Area around Inawashiro Station (Ban-etsu-West Line)
The interior of a local restaurant in Ouchi-juku
The interior of a local restaurant in Ouchi-juku

Japan Heritage
http://www.bunka.go.jp/seisaku/bunkazai/nihon_isan/pdf/nihon_isan_pamphlet_english.pdf

There are two other Japanese Heritage sites in Tohoku.

In this edition, we briefly mentioned “The waterway that cleared the way to the future” (Fukushima Prefecture), and the “Culture honed by Date Masamune” (Miyagi prefecture) inspired by Sengoku warlords, these will be featured in our next publication of WAttention Tohoku 2017 Autumn & Winter Edition.
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Saitama Triennale 2016

To the north of Tokyo lies Saitama City. It’s not so well known amongst tourists but there are many fun activities and green areas. It’s a fun place for a daytrip. Currently Saitama is hosting the 2016 Saitama Triennale of which one exhibition area is in Saitama City.

The Saitama Triennale 2016 has participating artists from all around the world, famous in their own country and abroad. The Saitama Triennale has become a festival to be enjoyed by all five senses. This year’s theme is “Discover the Future!”. Discover Saitama’s charm and daily life through the art’s stories. There’s an indoor and an outdoor zone so you can enjoy the artwork in many different ways.

Wattention interviewed Thai artist Wisut Ponnimit who designed the event’s mascot character “Mamuang-chan”. We talked about his work and the Saitama Triennale.

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Tam’s interview

งาน Saitama Triennale 2016

Profile

Wisut PONNIMIT (Thailand)
Born in 1976, Bangkok Thailand. Nicknamed Tam. Debuted in 1998 in Bangkok as a manga artist. He lived in Kobe from 2003 until 2006 and currently works in Bangkok. His works include the “Mamuang” series, “Blanco” (Shogakukan), “Hesheit” (Nanaroku inc.) and various manga art. He also participated in the Yokohama Triennale 2005. In 2009 “Hesheit Aqua” received an honourable mention at the Cultural Affairs Media Arts festival in the manga division. In 2015 he had a solo exhibition “MELO HOUSE” in Bangkok. Besides having done animation work, Tam also collaborated with musical artists such as “Baan” (2013) and Harada Ikuko.

About the Saitama Triennale 2016
Q: Why did you participate in the Saitama Triennale 2016?
A: It’s a big event, so I think I participated to test my own strength.

Q: How do you feel about participating in an international event like this?
A: As I thought, I’m a bit nervous to work together with the other artists. I will have to work hard on my own art as well.

About his work
Q: What’s the style of your work? / What kind of work did you make?
A: Because the theme of this exhibition is “Discover the Future!”, I created work in that image.

Q: You also designed the event’s mascot character. Could you briefly introduce her?
A: The exhibition area is very big, the event is held at various places in Saitama. There are people who come only for the Saitama Triennale 2016 so I think most of them might not be familiar with Saitama City or its station. This is why we decided to place a guide sign with Mamuang chan near the station that guides visitors to the event. Because Mamuang chan is there, I hope people won’t get lost and will feel safe.。

Q: What kind of character is Mamuang chan?
A: I think she’s a child who doesn’t overthink things too much.

Regarding his studies and living in Japan
Q: Why did you study abroad in Japan? What sparked your interest in Japan?
A: When I was a child I loved Japanese manga and this made me start working on manga. I wanted to learn more about the origin of manga and came to Japan to better understand Japanese culture.

Q: Why do you think your work is also popular in Japan?
A: I think my art pieces has something that Japanese people cannot get from their normal life. Maybe, when they see my work they feel a sense of security.

Q: For foreigners in Japan and tourists from overseas who come to see the 2016 Saitama Triennale, please share your recommendations.
A: I think it’s an interesting event because there are many artists. The entrance is free and the weather is getting cooler so I think it’s a good chance to visit Saitama. Please come and see the event.

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Like Tam said in the interview, the Saitama Triennale 2016 is a great opportunity to visit various spots in Saitama. The event’s scenery and artwork is different in every area so photography enthusiasts can also enjoy themselves as well. There are events you can enjoy together as a family, events where you can experience culture and hands-on exhibitions so please come and see them in a leisurely mood.

Near Omiya Station, one of the venues for the Saitama Triennale 2016, is a railway museum with about 36 train cars on display from the late 19th century until the latest modern bullet train. There are 5 different driving simulators such as the steam locomotive D51 (Japanese built steam locomotive) and the Shinkansen 200 series (bullet train). It’s an interactive museum where you can see, listen and touch.

Iwatsuki, another exhibition area, is the lead producer of dolls in Japan with more than 80 doll ateliers. Dolls for Hinamatsuri (girl’s festival), boy’s festival and a variety of traditional dolls have been shipped to both domestic and foreign customers. How about experiencing a doll workshop after visiting the art exhibition?

In Saitama City you can enjoy the bonsai gardens and the Omiya Bonsai Art Museum, Japan’s leading bonsai museum and the host for the 8th World Bonsai Congress in 2017 (Apr. 27 -30, 2017). There are many other interesting spots in Saitama City.

The Saitama Triennale 2016 is held until December 11th. Why not make an art journey to Saitama City?

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Event Information

Dates: Sept. 9, 2016 – Dec. 11, 2016
Locations: 1) Yohonmachi Station ~ Omiya Station 2) Musashi Urawa Station ~ Naka Urawa area 3) Iwatsuki Station area
Link to the area map and access information (Japanese – English)PDF
Official website URL: https://saitamatriennale.jp/(Japanese – English)(Japanese – English)